oliver schneller

                          

publications – veröffentlichungen

• "Sound in its Own Space. Electroacoustic Spatialization based on Directivity Control" (2002)  →
Library of Congress (Wiener Library)
UMI: 3066903
ISBN: 0-493-86315-X

• "Klangschicht und Zeitharmonik. Begegnung mit Gottried Michael Koenig"
Programmheft zu den "3. Magdeburgischen Concerten".
Festtage zur Musikgeschichte
Magdeburgs, Oktober 2003

•"Musik im Raum"
Recherche-Auftrag des Haus der Kulturen der Welt, Berlin  →
August-Dezember 2003

• "Sonic Arts in Germany."   →
M.I.T. Press Computer Music Journal 26, 4 (Spring 2002): 54-57

• "Chambres Séparées, KOMA, entrop, Zwischenwelten: Gerhard Winkler."   →
M.I.T. Press Computer Music Journal 25, 1 (2001): 75-76

• "Musical Material Matters".   →
Columbia University Press Current Musicology 67/68 (Winter 2002): 156-174

• "IRCAM at Columbia 1999."  →
M.I.T. Press Computer Music Journal 24,2 (2000): 94-96
(also published in: Dossier d'Information IRCAM, No 18 (October 2000): 136-138)

• "Music und Utopie."
Universalmaschine Heft 02, Berlin (2001): 68-70

• "Donald Martino's Concerto for Alto Saxophone and Orchestra."
[CD-liner text] New World Records. Recorded Anthology of American Music,
No. 80529-2 (1998)

• "Mahler in Blue Light.Online Performance Notes."   →
National School Network Exchange/MOTET (Music Online Telecommunications Environment)
sponsored by the BBN Corporation.

• "The ICMC 2002".   →
Array-Journal of the International Computer Music Association 2002.

• "Calculation of Proportional Segments in Diastema".
in: The Open Music Book, Carlos Agon, ed. Ircam, Paris.
Publication forthcoming (Fall 2005)

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translations – übersetzungen

• Helmut Lachenmann. 1992. "Four Questions Regarding New Music".
transl. into English for: Contemporary Music Review, Vol. 23, No. 3/4 (September 2004)

• James Harley. 1996. "Sonic and Parametrical Entities in Tetras:
An Analytical Approach to the Music of Iannis Xenakis".
transl. into German for: Musiktexte 91 (December 2001): 31-42

• Neil Leonard.1994. "Kompromißlos und fortschrittlich.
Juan Blanco:Kubas Pionier der Elektroakustischen Musik."
transl. into German for: Musiktexte 96 (Mai 2003)

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panels – podiumsdiskussionen

• Maerzmusik Festival Berlin - 18 March 2006
"The Global Interplay Project"  →
Composers from China, Egypt, Germany, Ghana, USA
Ralf Alexander Kohler, Dietrich Heissenbüttel
moderated by Oliver Schneller

• Sophiensaele Berlin, Ultraschall Festival - 15 January 2005
"Die neue Musik und die Globalisierung"  →
Sandeep Bhagwati
Samir Odeh-Tamimi
Oliver Schneller
Yueyang Wang
moderated by Martin Demmler and Rainer Pöllmann

• Pergamon Museum Berlin, Berliner Gesellschaft für Neue Musik - 23 October 2004
"Migration and Identity: Perspectives in Contemporary Arabic Music"  →
Mounir Anastas
Agnes Bashir
Karim Haddad
Saed Haddad
Iyad Mohammad
Samir Odeh-Tamimi
Mohammad Uthman-Siddiq
moderated by Oliver Schneller

• Heinrich Böll Stiftung Berlin, Berliner Gesellschaft für Neue Musik - 5 Juli 2004  →
"Hörraum Stadt"
Alex Arteaga
Barbara Barthelmes
Nader Mashayekhi
Gert Matthias Wegner
moderated by Oliver Schneller

• Maerzmusik Festival Berlin - 19 March 2004
"Charles Ives and Composing Today"  →
Helga de la Motte-Haber
Kyle Gann
Tom Johnson
Oliver Schneller
Walter Zimmermann
moderated by Wolfgang Rathert

• St. Lawrence Arts Center, Toronto - 3 April 2004
"Computer-assisted Composition: A 'Sorcerer's Apprentice'?"  →
John Brotman
Brian Current
Matt Hornburg
John Rea
Oliver Schneller

• Goethe Institut New York, "Helmut Lachenmann in New York" - 7 April 2001
"Music and Movement"
Helmut Lachenmann
Alvin Lucier
Tristan Murail
Matthias Herrmann
moderated by Oliver Schneller

• New York Flute Convention - October 16 2000
"The Flute in Contemporary Music"
Roberto Sierra
Oliver Schneller
Joan Tower

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lectures – vorträge

• Global Interplay Conference, Cairo Opera House, Feb. 12-16, 2006   →
"Creation and Identity"
Global Interplay Project / Musik der Jahrhunderte

• Ircam / Centre Pompidou, 2004   →
Stratégies d'écriture dans ma composition Jardin des fleuves
Ateliers de composition

• Berliner Gesellschaft für Neue Musik, 2003  →
"Akustisches Modell und komponierte Struktur"

• Internationale Ferienkurse für Neue Musik Darmstadt, 2002
"Sound In Its Own Space: Electroacoustic Spatialization based on Directivity Control."

• Harvard University Boston, 2002  →
"Aspects of Music and Architecture in my Compositional Work"

• Cincinnati College Conservatory, 2000  →
"Perspectives of the Music of Helmut Lachenmann"

• Queens College New York, 1998
"Trends and Tendencies in Contemporary German Music"

• Goethe Institut Boston, 1996
""Degenerate Music" and its Composers"

• New England Conservatory Boston, 1996
"Jewish Composers in Germany"

• Goethe Institut Boston, 1995
"Music in Exile": German Immigrant Composers in the USA"

• New England Conservatory Boston, 1995
"Mandelbrot meets Micropolyphony. Fractal organisation in the Music of György Ligeti"

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